The common thread
One of the humblest medium used in art making, the simple fibre of thread, is also possibly the most versatile and ubiquitous medium which holds an integral presence in the spectrum of art. Several artists subsume various crafts in their practice and there is an increasing visibility of craft based techniques involving thread within the contemporary canon — such as embroidery, crochet, macramé, weaving and knitting.
Three young artists wove together a coherent body of work under a whimsical banner – Is She a Spinner of Yarns? – which was on display at Gandhara-Art Space. Samina Islam, Cyra Ali and Imrana Tanveer each employed their individual artistic sense to weave narratives and voice concerns which were compelling to each artist.
There is something almost other-worldly about the versatility a single string of thread possesses in the hands of an artist
Samina Islam’s canvases were stripped of personal character, leaving behind only the essence of those longing human emotions which are only too universally relatable. In Reflecting the Self, an unidentifiable woman is veiled under delicate lace, the intricate patterns obscuring her face. The artist embroiders sections of the visible motifs on the printed floral drape itself. One can't help but view the embroidered pattern as "forming a new identity", as the artist later elaborates, as a separate form from the digitally printed areas. Her work inspects how patriarchal pressures allow women only to perform ‘expected’ roles in society, leaving minimal time to pursue their true self. Within the added nuances, however, organic forms and patterns are introduced – symbolising a humble attempt to carve one's own identity. Interestingly enough, the desire to make time to cater oneself is highlighted by the process of hand-sewing itself — a disconnecting and purely self-indulgent activity.